The Orchid Hunter
The Orchid Hunter
by
Jill Marie Landis
Published by Amber House Books
Smashwords Edition
Copyright 2000 by Jill Marie Landis. All Rights Reserved.
This Edition 2014
Cover design by Control Freak Productions
Cover Photo Copyright Period Images
Cover Background Photo Copyright Anna Omelchenko (Used under license from Shutterstock.com)
Published by Amber House Books, LLC
http://www.amberhousebooks.com
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Table of Contents
Copyright Page
Table of Contents
The Orchid Hunter Blurb
Praise for Jill Marie Landis
Books by Jill Marie Landis
The Island
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
London
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
About the Author
Books by Jill Marie Landis
Past Promises Sneak Peek
Other Amber House Books
The Orchid Hunter by Jill Marie Landis
Can an English lady raised as a “wild orchid” ever be truly tamed?
When Trevor Mandeville leaves behind the drawing rooms of London and journeys to an island paradise in search of a rare orchid, he comes face-to-face with an even more shocking treasure. Stolen away from her family at a young age, Joya Penn has spent most of her life running wild and free. Trevor tries to resist her charms, but soon finds himself captivated by the deliciously innocent—yet wildly seductive—young creature with eyes as blue as a mountain lake and blonde hair rippling down her back in an untamed mane.
Given her first taste of desire by the handsome adventurer, Joya believes all her dreams have come true when agrees to escort her back to London. But her uninhibited ways quickly throw his entire household—and his heart—into delightful chaos.
As Joya despairs of ever being the sort of “proper lady” Trevor could love, Trevor begins to wonder if he’s finally found the treasure he has been hunting for his entire life…in the forbidden paradise of Joya’s arms.
Jill Marie Landis is the New York Times bestselling author of PAST PROMISES, UNTIL TOMORROW, THE ORCHID HUNTER and JADE
Praise for New York Times bestselling author Jill Marie Landis
“Warmth, charm and appeal…guaranteed to satisfy romance readers everywhere!”—New York Times bestselling author Amanda Quick
“If you love historical romance, you’ll adore Jill Marie Landis.”—New York Times bestselling author Kristin Hannah
“Jill Marie Landis is a winner!” New York Times bestselling author Dorothy Garlock
“Jill Marie Landis writes beautiful love stories.”— New York Times bestselling author Julie Garwood
“Historical romance at its very best!”—Publishers Weekly
“Jill Marie Landis is fabulous!”— New York Times bestselling author Linda Lael Miller
“A gifted writer…able to enthrall readers and touch their deepest emotions.”—Romantic Times
Amber House Books by Jill Marie Landis
Past Promises
Until Tomorrow
Jade
The Orchid Hunter
The Island
Chapter One
1850
Joya Penn stood on the valley floor, staring up high mountain walls lush with vegetation, up into the cloud of mist that had settled upon the upper slopes of Kibatante. The mountain was inhabited by a great, hulking spirit of the same name who was the mountain and at the same time, was a god who existed within the volcanic, igneous rock.
As long as the spirit of Kibatante slept in the heart of the island, everyone knew that all would be well on Matarenga.
One of her sandals had come untied, so Joya bent down and quickly rewrapped the woven hemp thong around her ankle. As she straightened, she brushed a cockroach off of the coarse, yellowed fabric of her shin-length trousers.
Her shirt, a soiled castoff of her father’s, was knotted at her midriff. She found the garment a nuisance, but the year that her breasts had developed, her parents had demanded she cover herself. She would prefer not to be burdened with so many clothes, but her father still insisted. She argued that Matarengi women felt no need to cover their upper bodies. Why should she? She was perfectly comfortable with or without clothing. Still, she bowed to her father’s will.
Joya sighed, feeling adrift as she wiped perspiration from her brow with her forearm. Wishing that Kibatante’s spirit would slip inside her heart and ease her unsettled feelings, she touched a pouch tied to a thong around her neck. The small leather sack was filled with good-luck charms that kept her safe. She opened the bag and looked at the objects inside—a feather, sharks’ teeth, a shining piece of rock. The largest among them was her mother’s silver hair comb, which she had pressed into Joya’s hand on the day she died. She had begged Joya not to forget her. As if she ever could.
Eight Matarengi bearers, their skin glistening with sweat, were scattered over the hillside gathering moss and plant fibers used to pack around orchid specimens to be shipped to London. Joya had been in charge of leading the men today and the search had gone well. Tomorrow morning, the hunting party would start back over the mountain trail to the native village and the house that she and her father shared on the beach.
Even knowing that her life was full, she wished she could lose the heaviness that she carried in her heart. She had the breathtaking beauty of the island paradise and the lifelong friends she had made among the Matarengi people. She had the orchids that she and her father hunted, gathered, and packed. They were the loveliest of flowers, fragile in appearance, yet hardy enough to grow in the wild and even survive being shipped all over the world.
The work she shared with her father was fulfilling and, over time, she had recovered as much as a daughter ever can from the loss of her mother. Despite the fact that she was no man’s wife, and the fact that she had seen little of the world, she realized that she was a very lucky young woman.
But ever since she had been a child, there had been a shadow of sadness haunting her, a notion that there was something vital, something she could not explain, missing from her life.
According to Matarengi custom, she should have been a bride long before now, but her white, English parents had strictly forbidden her ever marrying into the Matarengi tribe. She was to marry one of her own kind— something that had prov
ed to be nearly impossible, for no suitable white man had ever come to the island for any length of time. Even if she chose to ignore her parents’ dictates, there was not a single Matarengi male on the island, save Umbaba, her closest friend, who was even comfortable around her.
She was beginning to lose hope of ever leaving the island or marrying anyone. She wondered if there was anything in the least desirable about her by English standards. How would she ever find out, when leaving the island to search farther afield was something her father refused to allow?
Uncomfortable with the direction of her thoughts, she began to climb the mountainside, keeping to the trail the men had hacked out with huge, lethally sharp machetes. In the lower regions of the valley floor, where the sun rarely fought its way through the dense growth, the ground was perpetually damp. She took care not to fall, for her sandals were caked with mud and slippery. Occasionally she had to pause and chop away branches that intruded across the trail with her own blade.
She passed two of the men, stopping to direct three others to take rooted samples from various plants in a deep ravine on the mountainside. She took a specimen from one of the men, held it close, and examined the root structure. It was a fine orchid, a soft lavender-rose in color.
She wished she could accompany the next shipment of flowers to England, walk along the crowded streets and byways, see the River Thames. She longed to experience the sights and sounds she had only learned of from her parents’ stories or seen in the prints in her books.
Whenever she closed her eyes and thought of London, somehow she easily imagined herself already there. Sometimes she would dream of England in vivid detail, scene upon scene, with such complete clarity that the images seemed very real.
Sometimes her dreams were haunting. Like Kibatante, the spirit of the mountain, it was as if she could be in two places—in the dream itself and outside of it, watching it unfold. She always dreamed of a girl, very much like herself, but not herself, in and about London.
Whenever she awoke from such a dream, it would take her a moment or two to realize she had actually been safe in her bed asleep and that she had never really left Matarenga.
The odd sensation of these dreams-within-dreams had begun when she was a child. More curious than frightened, she would tell her mother about the experience and ask for explanations her mother could not give.
Joya could still recall the way deep frown lines appeared upon her mother’s brow whenever she tried to explain about the other girl who was her and yet was not her.
“Do not dwell on such things, child,” her mother, Clara, would always say. “Dreams are only that. They aren’t real.” Then her lovely mother would smile, but the smile would never reach her eyes. Afterward, Joya would feel more confused than ever.
Eventually, she took up sketching, using bits of charcoal and odd pieces of paper, bark cloth, whatever she could find, as she wrestled with the images in an effort to understand. At first the drawings were only the scribbles of a child. As she grew, she amazed her parents with her skill, but they believed that the girl portrayed in the sketches was Joya herself.
Only she knew differently. The young woman in her drawings looked like her, but was definitely not her. She knew that as well as she knew the names of all the shimmering, rainbow-hued fish in the lagoon and the orchids on the hillsides. Drawing what she dreamed about sometimes left her feeling even more adrift than ever.
One day she had called upon Otakgi, the oldest, wisest man on Matarenga, the man her father called a witch doctor. From what little she knew of either, Otakgi was neither a witch nor a doctor. He was a man of magic, a healer, keeper of Matarengi legends and age-old tribal lore. Even when she had been a young girl with a head full of strange dreams and a heart full of questions, even then he had seemed ancient.
Otakgi’s skin was blue-black, thin and wrinkled, as withered as the dried blossoms of the flame tree. His hair was tightly braided with colorful beads among the woven strands. He looked as old as the island itself, and it was whispered among the natives that he was almost as old as Kibatante, as timeless as the turquoise lagoon that surrounded Matarenga.
Alone, more frightened of her dreams than of the old man, she had slipped into the shadowy interior of his small fadu, a native dwelling made of coconut fronds and bamboo. He was seated cross-legged on a tightly woven mat of pandanus, staring through the open door, toward the reef and beyond.
She sat in silence and tried not to wiggle until he came out of his trance, looked over, and found her waiting.
“I have strange dreams, Otakgi. Dreams of myself and not myself. I am very confused.” She spoke in Matarengi, a language she knew as well as, or better than, English.
She was forced to remain still, even though it was a while before he looked at her again. When he did, his eyes burned like hot black obsidian. He stared through her, as if she had no more substance than smoke. When he finally spoke, his voice reminded her of the rustling of the leaves when the Kusi trade winds blew gently over the land. He raised both hands, palms up. His long fingers, gnarled with age, lifted skyward.
“It will be many, many seasons yet before you know the meaning of these dreams. Do not be frightened, even if they seem strange, for one day you will find your other self. You will know the secret of this second spirit, the lost spirit of your soul.”
When he paused, silent again, she was afraid that he would say no more, that she would be no wiser, no more satisfied than when she had entered the fadu.
But the old man eventually stirred. He hummed quietly to himself and rocked back and forth on his bare, bony buttocks.
“There is no need to fear,” he had said, louder now, his voice firm, as if trying to impress her with the truth. “Be patient.”
And so, as the years passed, she continued dreaming and drawing and trying to be patient. She locked her questions away rather than make her lovely mama frown. Her papa, who had always worked so hard exploring the uncharted interior of the island for new orchids, certainly had no time for questions.
She had endured until one day she discovered she was no longer a child, but a woman—and everything changed. She was no longer allowed to go half naked, like her Matarengi friends. Soon, none of the young men, save Umbaba, would speak directly to her. Slowly, she began to feel more and more isolated.
She went to her parents and begged them to take her to England, to let her experience life off of the island. Since she could not live a full life as a Matarengi, she wanted to live among her own kind for a while. They gently refused her outright, but then debated in hushed whispers behind their bedroom door.
Not long afterward, her mother died.
Months eased into years. She tried to lose herself, her questions, her needs, in her work with the orchids, but late at night, she was forced to battle her aching loneliness.
Perhaps, if she could get to London, she would not only find that part of her she felt was missing, but even meet a suitable man who would find her desirable, someone who would want her enough to marry her.
She had not argued with her father about leaving Matarenga in a good while, but today, almost as if the Kusi winds were charged with change, as if her skin no longer fit, Joya found herself thinking about what Otakgi had said to her so long ago: “One day you will find your other self.” She was determined to leave the island. She would demand that her father make some arrangements to send her along when the boat came to pick up the orchids. She would make her demands when they returned home from the hunt.
Suddenly, the ground began to tremble. Her hand closed around the orchid plant as rocks began to tumble down the mountainside. She was grazed by flying gravel. The Matarengi became frightened. They shouted to each other, and to her, to take cover.
Kibatante was stirring. The god of the mountain, keeper of the island, was disturbed.
Chapter Two
I’ll be damned if I die now. Not when I’m so close.
Dangling high above the valley floor, Trevor Mandevi
lle clung with bare, muddied hands to the twisted, exposed root of a jacaranda tree. The gnarled root was his lifeline, his only hope.
He cursed and prayed that it would hold his weight until he was safe on solid ground, until the idea that he could fail became a memory and the reality that he was mortal had faded back into his subconscious.
The muscles in his back and arms screamed as he strained to save himself. A heavy pack on his back weighed him down. His rifle swayed from the strap over his shoulder and slapped him in the side. His face was inches from the scarred, loose earth of the mountainside.
He spat at the dirt, cursed fate, then himself, and even Dustin Penn, the man he had journeyed halfway around the world to find. He closed his eyes, imagined staring Death in the face. Skeletal, hollow-eyed, the Grim Reaper tempted him to ease the muscles burning in his arms and shoulders.
“Let go,” Death whispered, urging him to give up, to feel the cool wind rush past him as he floated through the abyss, down, down through the tangled canopy of treetops that hid the valley floor.
He was raised never to leave a job unfinished, never to walk away from responsibility. His sister, Janelle, had accompanied him to Africa. She was awaiting him off the mainland coast, on Zanzibar. He refused to abandon her on foreign soil.
So Trevor clung tighter, strained harder. Pulling himself up hand over hand, he fought for a toehold in the crumbling earth. Death was something he would not even consider in this instance, for death meant failure. He always did everything in his power to avoid failure.